testing all

Difference / Indifference (Record no. 781)

MARC details
000 -LEADER
fixed length control field 01966 a2200265 4500
001 - CONTROL NUMBER
control field 9057013312
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100357.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312041998GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789057013317
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 38.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ART015000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC052000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 700.904
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Moira Roth
245 10 - TITLE STATEMENT
Title Difference / Indifference
Remainder of title Musings on Postmodernism, Marcel Duchamp and John Cage
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 19981020
300 ## - PHYSICAL DESCRIPTION
Extent 202 p
520 ## - SUMMARY, ETC.
Expansion of summary note First Published in 1999. For the first time gathered together in book form, here are the influential writings of Moira Roth-articles, lectures, and inter­views-on the two men who for so long embodied the very spirit of the avant­garde, Marcel Duchamp and John Cage. For almost thirty years Duchamp and Cage, who seemed to live on the border of modernism, and later, of postmodernism, alternately have fascinated, irritated, inspired, and daunted the author. Since her initial engagement with Duchamp and Cage in the early seventies, Roth increasingly focused on the work of many American artists-primarily women-only to return to Duchamp and Cage intermit­tently. At first, they were an inspiration for her writing and teaching. However, as they transformed themselves into classical figures, she came to reconsider and re-evaluate them. This collection offers a wide variety of literary forms-analytic, diaristic, art historical, and autobiographical-all of which Roth has used in her work. Collectively these writings form the subject of compelling and unique critical exchange between Moira Roth, who holds the Trefethen Chair of Art History at Mills College, Oakland, and Jonathan D.Katz, who is Chair of the Department of Gay and Lesbian Studies at City College, San Francisco.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Jonathan D Katz
Relationship A01

No items available.