Dissemination of Saint George in Early Modern Art (Record no. 8250)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02213 a2200361 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1040262554 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250328151422.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250324042025GB 146 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781040262559 |
| Qualifying information | EA |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AGA |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | N |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | QRAX |
| Source | thema |
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| Subject category code | QRM |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AB |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 3M |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AC |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | HBLH |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | HRAX |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | HRC |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AB |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ART015000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ART035000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | ART015080 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 704.9482 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Alison C. Barker |
| 245 10 - TITLE STATEMENT | |
| Title | Dissemination of Saint George in Early Modern Art |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20250210 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 244 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | Focusing on England, the German-speaking territories and the Italian peninsula, this book examines how Saint George’s image crossed boundaries and was disseminated. Alison Barker attempts to "dissolve" the boundary of the Alps through examination of images of Saint George, the "travelling" saint. She argues that George’s status as chivalric hero and Christian martyr made him uniquely qualified to cross boundaries in this way, especially through the networks of courts and court culture. Her research demonstrates how the highly recognisable iconography of Saint George’s image meant something different, depending on where he was represented and who was looking at him. Through four case studies that examine how he was depicted and viewed across boundaries of space and media, this book charts a multi-layered cultural network, linking different artists and audiences from three regions. Each case study makes a claim about Saint George and how he acts and is used by four sections of society: rulers, artists, corporate groups and the broad masses. The book will be of interest to scholars working in art history, religious history and Renaissance studies. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license |
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