Early Musical Borrowing (Record no. 830)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01313 a2200265 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1138968153 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317100357.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042015GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138968158 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 48.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVLA |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 6MB |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 6RC |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | AVGC2 |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | MUS000000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 780.9031 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Honey Meconi |
| 245 10 - TITLE STATEMENT | |
| Title | Early Musical Borrowing |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20151124 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 248 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors, all highly regarded in their field, offer new insights that will change the way we view borrowing. |
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