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Film History and Screen Culture in and beyond Greater China (Record no. 8347)

MARC details
000 -LEADER
fixed length control field 02145 a2200361 4500
001 - CONTROL NUMBER
control field 103245816X
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250328151423.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250324022025GB 24 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781032458168
Qualifying information BB
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 145.00
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
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Subject category code ATF
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Subject category code JBCT
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Subject category code NH
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Subject category code JBCC1
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Subject category code 1FPCW
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Subject category code APF
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Subject category code JFD
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Subject category code GTB
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Subject category code JFCA
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Subject category code 1FPCW
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Subject category code SOC052000
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Subject category code 791.430951
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Lin Feng
245 10 - TITLE STATEMENT
Title Film History and Screen Culture in and beyond Greater China
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20250228
300 ## - PHYSICAL DESCRIPTION
Extent 292 p
520 ## - SUMMARY, ETC.
Expansion of summary note Bringing together work from established and emerging scholars and practitioners from around the world, this collection expands existing scholarship on cinemas of the Sinosphere by revealing forgotten and emerging aspects of film history. Organised chronologically, individual chapters cover geographic regions of mainland China, Hong Kong, and Taiwan to engage with key issues of film history and screen politics that are overlooked by the traditional canon of Chinese cinema. Tackling key debates on (post)colonialism, (cold)war, and their sociopolitical impacts on screen culture in these regions, this collection challenges the binary paradigms that are perpetuated in the historical scholarship of Chinese cinema, such as left-wing and right-wing cinema, commercial entertainment and political propaganda films, and mass consumption of genre films versus the critical acclaim of New Wave auteurism. Together, the essays reveal the cultural mobility across different geographic and sociopolitical borders, their intertwined experience of the past, and historical events’ impact on contemporary filmmaking and screen cultures. This collection will be of interest to students and researchers of Film, Media, and Cultural Studies as well as Asian Studies and Chinese Studies.

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