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Evolution of Song and Dance in Hindi Cinema (Record no. 996)

MARC details
000 -LEADER
fixed length control field 01947 a2200385 4500
001 - CONTROL NUMBER
control field 0367785676
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100359.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042021GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367785673
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 39.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JBCT
Source thema
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Subject category code ATF
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Subject category code GTM
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Subject category code NH
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Subject category code 1FK
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Subject category code JFD
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Subject category code APF
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Subject category code GTB
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Subject category code H
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Subject category code 1FK
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Subject category code FIC027020
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Subject category code HIS017000
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Subject category code LIT008020
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Subject category code SOC052000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 791.430954
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ajay Gehlawat
245 10 - TITLE STATEMENT
Title Evolution of Song and Dance in Hindi Cinema
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20210331
300 ## - PHYSICAL DESCRIPTION
Extent 124 p
520 ## - SUMMARY, ETC.
Expansion of summary note Exploring the evolution of song and dance in the popular Hindi film, this book examines how these quintessential elements have been and continue to be theorized. As song ‘picturizations’, as they are frequently called, have evolved, shifting from little more than impromptu moves around tree trunks to highly choreographed affairs featuring scores of professional dancers and exotic backgrounds, their theorization has also developed beyond the initial, peremptory dismissals of earlier critics. Featuring a landmark collection of essays from leading theorists, as well as newer contributions from up-and-coming scholars, this book develops new and exciting ways of thinking about song and dance in Hindi cinema and, in turn, explores how these elements work to (re)define popular Hindi cinema in the twenty-first century. This collection will be of interest to students and scholars of Hindi cinema, musicals, and global popular cultures. It was originally published as a special issue of South Asian Popular Culture.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Rajinder Dudrah
Relationship B01

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